Life is a quarry, out of which we are to mold and chisel and complete a character.
—Samuel Butler

Sunday, November 28, 2010

#15 Christus Consolator—A Message of Peace and Hope


Carl Bloch (1834–90) created many beautiful paintings and etchings in his lifetime. One of the most magnificent, in my opinion, is the oil-on-canvas altarpiece from Sofia Albertina Kyrka in Landskrona, Sweden, which Bloch painted in 1884, only six years before his death. It is entitled “Christus Consolator” or “Come Unto Me.” With over 1% of Sweden’s population emigrating annually from Sweden to America during the 1880s, it is likely some of the original congregation who first saw this painting in their church left for America and never saw it again. Now, this painting has come to America, as if following those who came here and left it in years past. My ancestors came from Sweden, so I feel a special connection to this piece of Bloch’s work, as though it followed me from the land of my ancestors to bring me a message of peace and hope.

The message of “Christus Consolator” is well expressed in the Savior’s own words, as quoted by Matthew: “Come unto me, all ye that labour and are heavy laden, and I will give you rest” (Matt. 11: 28–30). The painting shows the blind, lame, captive, beggar, widow, fatherless and others gathering at the feet of the Savior’s towering presence—his size in comparison to the others represents his omnipotence and ability to protect them. His arms are outstretched to the viewer, inviting one and all to come join those at his feet and be protected as they are “under his wings” (Matt. 23: 37).

I thought the presentation of Bloch’s pictures at Brigham Young University’s Museum of Art was very tastefully done. On the wall at the beginning was a quote from Carl Bloch, which said, “God helps me, that is what I think, and then I am calm.” This motto applied not only to Bloch’s personal life, but also to the impression his work and the exhibit left with me. Beautiful, classical music filled the museum instead of the hymns one might expect, reminding visitors that Christ invites those of all denominations to come to him. Many of the altarpieces were framed in a way that suggested the front of a church, letting one get a brief feel for what the picture must have looked like in its original church setting. Overhead lighting made the pictures of Christ sparkle, showing that his light comes from above. The altarpieces had chairs tastefully set in front of them so visitors could sit and contemplate.

I took the opportunity to sit in front of “Christus Consolator” and think for a while. The beautiful message of hope and peace soaked into me as I sat there, and I thought about my own life. I was reminded that I can come to Christ, and he will always be there for me, even in my darkest and most troubled hours. Even when I have no other hope, he will be there for me. “Christus Consolator” was the last piece of the exhibit, and I left with a renewed feeling of peace and hope, and a determination to come to Christ. I know God will help me, so I can be calm. That’s what Bloch’s exhibit did for me.

Saturday, November 27, 2010

#14 Personal Narrative—Meet New Faces

Time had crumbled the steps, like it was crumbling my past behind me. It was a long way down the side of the green hill to the park.

“Look, they’ve already started!” I scampered down ahead of my older sister Melissa. Her voice came crawling over my shoulder from behind, grumbling, “I hate being late!”

Ahead of me, I could see the huge pavilion in the center of the park swarming with people. Music blasted from speakers, and my eardrums shivered with anticipation. Long tables loaded with food invited me to come dig in. I had just turned 18, and this was my first big Young Single Adult activity. I was excited to jump in and be a part of it all. I was dressed in clean new clothes, my hair was swept back in a headband, and I was ready to go meet new faces. I heard the satisfying clang of pitched horseshoes striking metal posts, and saw people dancing about tossing footballs and playing ultimate Frisbee.

“What should we do first?” I asked. Melissa stared at her shuffling feet and the words, “are you sure you want to go?” emerged from somewhere under her long bangs. I assured her I did, and decided to join the game of ultimate Frisbee. I wanted her to come with me, but she declined, preferring to hunker down on a bench at the side and watch me. A few years ago she’d broken her leg, and she’d never enjoyed active sports since. “Have fun,” she said, and I went.

I ran around on the outskirts of the game, with little success. The Frisbee hardly came close to me, and although I got an occasional swipe at it, I wasn’t contributing much to the game. No one even seemed to notice me.

I was almost ready to humor Melissa and go home with her, when the Frisbee flew wild and headed for an empty spot of field near me. This was my chance! I could catch it and contribute to the team! I ran as fast as I could, my eyes on the sky blue Frisbee as it descended. Right before I got to it, another pair of hands snatched it out of the air. I looked down to find a young man (incidentally, a member of my team) coming at full speed from the opposite direction. It was too late for me to do anything. Our faces collided with a dull, solid impact, and I tumbled to the ground. I caught a brief glimpse of him collapsing to the grass next to me and heard him yelling “Ow, ow!" as I buried my face in my hands, trying to somehow retroactively protect it from what had already happened.

Brief snippets of thought floated through my head.

I think my nose is broken.

I’ve hurt him. I feel awful. I hope he’s all right.

I should have been looking where I was going.

I must be really sweaty; my face is moist and sticky.


The young man recovered before I did, and I heard him saying anxiously, “Are you all right? Can I help you up?” I realized I had been lying on the ground clutching my face, which was a mass of pain, for long enough that a crowd had gathered.

“I’m fine,” I mumbled. I sat up, embarrassed, and pushed my hair out of my face. The young man, crouching next to me, said, “Oh no! We’ve got blood!”

I looked down to find that what I thought was sweat was really bright red blood, pouring down my hands and arms like water. I thought it might be coming from my nose, but someone nearby said, “She’s got a cut on her forehead.”

I clapped my bloody hands to my head, trying to somehow contain the blood, as the young man helped me up and announced, “I’m taking her to the bathroom. Somebody find a girl to go in with her.”

He put his arm around me, gripped me firmly and marched me toward the bathroom. Blood gushed between my fingers and showered my clothes and sandals.

“I’m really sorry,” he said, “I wasn’t watching where I was going.”

Someone, a fast runner, came panting up beside me and said, “here,” thrusting a wad of napkins from the pavilion into my hands. I gratefully pressed them against my forehead. Someone said, “They’re getting a nurse. Don’t worry.”

“Where’s my sister?” I asked of no one in particular. “It doesn’t matter,” said the young man. “Let’s just get you to the bathroom.” I glanced over my shoulder, and was relieved to see Melissa running to catch up with me.

In the park’s dingy bathroom, she dabbed at me with damp toilet tissue—there were no paper towels. The door opened and in came the nurse—the mom of one of my friends. “Oh, it’s you!” she said. She brought me back out into the light so she could have a look at the cut. The young man was waiting right outside the door, as were several other people, and they watched as she had me peel away the napkins.

“Even minor head injuries always bleed a lot,” she assured me. “I wouldn’t be too worried.” As the napkins came away, however, she took one look and said, “You’re definitely going to need stitches.”

Several things happened at once. Someone said, “Does anyone know who she is? I’ll take her to the emergency room.” Melissa spoke up, saying she’d called my parents and they were coming to get me. One lady cleaned me up with a bright-colored washcloth, and another produced a first-aid kit and got some sterile gauze to replace the napkins. The young man apologized again, and this time I had enough presence of mind to apologize back and hope he was all right. Someone wondered if he was getting a black eye, but he shrugged it off, saying he’d had worse.

While we sat on the bank of a canal by the parking lot, waiting for my parents to arrive, the nurse took a look at the purple rim developing under the young man’s eye, and agreed he was getting a “shiner.” I apologized, and he shook it off, saying, “It was my fault. I wasn’t looking where I was going.”

My parents arrived in their work clothes, all covered in paint from painting our bathrooms. The young man ran up to them, introduced himself, and said, “I’ve hurt your daughter, and I’m really sorry. She keeps apologizing, but it was all my fault.” I was surprised, because that’s just the way I felt, except the other way around. I called back one last apology and thanks to him as I was ushered into the family van.

While waiting for treatment, I assessed myself and found a button on my shirt was missing, my nose did seem to be broken, and I was bleeding out of both nostrils—I hadn’t noticed that before. While I sat there feeling sorry for myself, I looked around and saw a girl waiting for treatment from a biking accident assessing herself cheerfully with her friends, saying, “Wow, there’s another bruise! How on earth did I get that?”

Once I was in the operating room, the doctor’s assistant came in with a timid medical student, and told her to give me a shot. As I pulled up my sleeve, I noticed the student was shaking. I wanted to say, “Why on earth are you nervous? I’m the one lying here bleeding!”

Then I wished I could comfort her—she was just as scared as I was, and she was doing something new in an unfamiliar environment.

The doctor chatted with my mom as he stitched me up, while I tried not to look at the giant face and curved needle looming over me.

Hero regains consciousness in movie to blearily look up at hovering medic, I thought.

“I’ve been working on soldiers in Iraq,” the doctor said. “For a cut like this, I’d sew them up, wish them well, and send them back to work. All in a normal day for them.”

Well, they could go back to normalcy, but I assured myself I was a special case. My face had been brutally bashed in! I had the right to withdraw from activities!

When I got home, I cleaned up, changed into fresh clothes and got a good look at my cut. Although it was covered with steri-strips and held together with at least 15 invisible stitches, I could see it was about an inch long. My first thought was to register horror at the fact that I’d be scarred in the middle of my forehead forever. My second thought was, Well, this is what I get for trying to be involved. No more activities for me.

The next day I still went to church, to my new singles’ ward, even though I wasn’t feeling well. Word had spread about the mishap, and my friend (the daughter of the nurse who helped me) was happy to tell everyone who hadn’t heard about it. I was surprised to find that lots of people expressed concern, and I became a sort of celebrity. People came out of the woodwork to ask me about it, and tell me their own accident stories. An outgoing, active girl in the ward had broken a tooth and split her lip playing ultimate Frizbee. I was surprised to learn how many people had stories similar to or worse than mine. As I walked down the hallway at church side-by-side with Melissa, along with my friend and another new friend, I wondered.

With my self-consciousness and problems, am I really as different from others as I think I am?

I might still have shied away from activities, but for one thing. I have a problem, I thought. There’s a really nice young man out there somewhere, but no one can seem to remember his name or just what he looked like.

“I guess I’ll have to go to more Young Single Adult activities,” I said to Melissa. “You never know who you might run into there. Figuratively speaking, of course. Not literally.”

Friday, November 26, 2010

#13 Post Hoc

I wake before noon,
Not a moment too soon.
I've slept for ten hours—far gone is the moon.

To the kitchen I fly,
To breakfast on pie,
If pie were narcotic, by now I'd be high.

When I'm ready to pop,
To the keyboard I hop,
To play Christmas tunes until someone says "stop!"

No one stops me at all,
So I deck the hall,
With carols proclaiming the death-bed of fall.

While I tickle the keys,
Here's my sister, and she's
Come to tell me of spacemen with cryptic disease.

Once she's done, I'm away,
Then remember today
I must write three papers—oh hip hip, hooray!

This is my living,
Day-after-Thanksgiving,
With bits of randomness through my brain sieving.

Wednesday, November 24, 2010

#12 Allusion

Allusion: a reference to a historical event or person. Allusions are also made to events and persons from literature and other media (film, television, etc.).
—Writing and Rhetoric

When I posted "This is the Moment" from "Jekyll and Hyde," I was intending for the triumphant lyrics and stirring music to support my enthusiastic take on life. It was only after I posted it that I learned that in the play (which I have never seen), the song comes right before Jekyll takes a potion that turns him into Hyde and ruins his life. After reading my post, some people who were familiar with the play might have thought I was going to go mad or something.

That wasn't what I was thinking of at all when I posted it.

Although I don't plan to remove the post, because the song is amazingly awesome and I love it, and also because the song itself expresses what I was intending, I have since been thinking more about allusion. Without realizing it, I was alluding to something I was unaware of, and I possibly tampered with the intended effect of my post as a result.

Now I'm going to give a little example of allusion, where I actually know what I'm alluding to. First, here's a scripture:

"For they were set to be a light unto the world, and to be the saviors of men."
—D&C 103:9


Here's a video clip to go with it. My claim is that those in the scripture are like those in the clip. If you know a little backstory about each one, you'll realize what I'm trying to say through allusion. (On a side note, if you listen carefully, you'll notice the song itself has an allusion to the scriptures.)

Sunday, November 21, 2010

#11 Give Thanks for the Moment!

This is the moment! This is the day!

As Thanksgiving rounds the corner, it's important to take a moment to express gratitude. Of course I'm grateful for the break (although it gives me an elephant's weight of homework), and the dinner (although it makes me feel like an elephant), but those aren't the focus for me. As I prepare for a brief hiatus from school, I have the opportunity to pull back and see how richly my life is blessed. So many things in my life are wonderful right now. This is the perfect moment to count a few of my blessings:

1. Family. Without them in my life, I would have so little. They not only take care of many of my physical needs, but they also emotionally sustain me, feed me spiritually, and laugh at me. (With me. They laugh with me.)

2. School. Yes, I'm even grateful for homework. Indirectly. Without school, I would just be bumping around, wasting my potential and feeling unfulfilled. It's the next step in my life, and even though it fills my life full to bursting right now, I'm confident I will have a richer life later on because of it.

3. God. What else is there to say? He is everything, in every part of my life. Everything has to do with him. I would be nothing, have nothing and have no hope of anything without him.

These things combine to make a wonderful blend that is my life right now. It's a lot of work, but it is full of potential, and God has his hand in every aspect of it. This is my moment and my hour, and I'm grateful for it.

When I look back, I will always recall, moment for moment, this was the moment, the greatest moment of them all!

Saturday, November 20, 2010

#10 A Play in Three Acts

A Mom's Rhetoric
A Play in Three Acts By Miriam Burton

ACT I: Ethos

MOM and LITTLE GIRL enter room.
MOM: You need to do your chores now. Go on.
LITTLE GIRL: Why?
MOM: Because I said so.
MOM and LITTLE GIRL leave room. LITTLE GIRL is dissatisfied.

ACT II: Pathos

MOM and LITTLE GIRL enter room.
MOM: You need to do your chores now. Go on.
LITTLE GIRL: Why?
MOM (begins to cry): Because I work around the house all day, and the least you can do is help out once in a while!
MOM and LITTLE GIRL leave room. MOM is still crying, and LITTLE GIRL is distressed.

ACT III: Logos

MOM and LITTLE GIRL enter room.
MOM: You need to do your chores now. Go on.
LITTLE GIRL: Why?
MOM: Because someone needs to do them, or everything will end up run-down and messy. You don't want that, do you? I could do all the chores, but it's your responsibility as a member of this house to help out. Besides, you need to learn how to work so you can be a mother yourself someday.
MOM and LITTLE GIRL leave room. LITTLE GIRL is resigned.

THE END

Thursday, November 18, 2010

#9 A Minor Setback

10 Steps For Proper Disposal of Research Paper:

1. Take out staple and discard.
2. Wad paper into compact spherical shape.
3. Place in mouth and chew.
4. Remove from mouth.
5. Place on ground and jump upon.
6. Pick up and shred into fingernail-sized bits.
7. Place in sink disposal.
8. Turn on disposal.
9. Discard computer file.
10. Empty computer trash.

When you feel this way about your research paper, upon which you have lavished many hours of attention, and into which you have poured so many choice bits of research that you've had a hard time incorporating them all (but that's another story), you have a problem.

I had a problem.

After I saw a clip in film class about my research paper topic, I was just about ready to scrap my whole paper. The clip was true to life, but it contradicted my thesis statement. I had some serious reevaluating to do.

I did the reevaluating, and came to a happy conclusion.

Using my knowledge of film gained from the class, I realized the clip portrayed my subject in a biased light. Although it was based in truth, it used angles, costumes, acting and so forth to portray the subject matter as awkward and weird.

After I got home I reviewed my paper and the research behind it, and was relieved to find that, because of planning and good research, my viewpoint was sound.

That's not to say the clip was wrong, and I was right. We both had reasonably accurate viewpoints—we were just coming at the subject from different angles. But fortunately, thanks to prewriting and a gazillion-and-two good sources, I realized my paper could still hold its own.

As it turned out, the clip actually supported my thesis in the long run. My paper was about media bias in that area.

Problem solved.

Sunday, November 7, 2010

#8 I'm Dreaming of Christmas . . . and Something Else

I just might be looking forward to this Christmas more than any past Christmas in my personal history.

Just possibly.

You know—absence makes the heart grow fonder. It's true. Absence from sleep, especially. Santa won't need to double-check on me this Christmas Eve—I'll be sleeping like a log. Or a rock. Or a baby. Take your pick.

Now I'm thinking of a song. Guess which one.

No, don't guess. I'll tell you.

♫ I'm dreaming of a white Christmas! ♫

. . . The allure of this song is "dreaming," of course.

This Christmas I plan to be counting sheep. And not just the ones in the nativity set.